Aperture
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A variable diameter opening in the lens, it operates with a set of fine blades that open and close to vary the amount of light that is passed through to the digital sensor or film. Read more
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Beyer Pattern
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A method of arranging the red, green and blue-sensitive photo sites on a digital image sensor. A Beyer-pattern sensor that the majority of cameras use, has a greater number of green sensors since the human eye is more sensitive to green than red or blue. |
Blown highlights
| See clipping |
Camera Shake
| Causes blurring of photos by the movement of the camera, this is often caused when holding the camera by hand in lower light situations with longer shutter speed typically shutter speeds of 1/60th second or less will bring on camera shake. The best practise is always carry a tripod, with so many quality tripods available it has never been more convenient than now to introduce a tripod to your kit. |
CCD
| Charge-coupled device, the technology used in many digital camera image sensors. |
Clipping
| Also known as blown highlights, it is caused when too much light lands on parts of the digital sensor, the photo-site corresponding to pixels in that region will be beyond the value they can physically record. When this happens the sensor will simply output a flat maximum signal irrelevant to what the actual light levels are. When this happens the image will be pure white with no image data recorded. |
CMOS
| The technical definition is Complementary Metal-oxide Semiconductor, CMOS is used by some manufactures mainly Canon for their digital image sensors, rather than CCD. |
Colour Channel
| You camera takes pictures in little tiny pixels, these are produced by the colours red, green and blue producing any colour in the spectrum, a colour channel is simply one of the colour channels be it red, green, or blue. |
Colour Gamut
| Gamut refers to the range of colours that can be reproduced or displayed for instance a camera, computer monitor or printer. You will most likely of seen in many programs such as Adobe Photoshop the option to show out of Gamut warnings, this highlights what colours are not within the devices ability to recreate. |
Compression
| Used to fit more on your memory card with a trade off on edit-ability, most common you will come across compression in JPEG file format. |
CRT
| Still with a hard core following the CRT screen or Cathode ray tube, the technology was used in the common television set and CRT monitors. Many pro's still prefer the CRT monitor claiming a better Gamut, this may of been true but recent advancements in TFT monitors see them equal with CRT and the upper level models far exceeding CRT screens. |
Depth of Field
| In my opinion better termed depth of focus, this is the amount of the image that is in focus, a wide aperture for instance f/2 will produce a good portrait shot while throwing the background out of focus, where as a small aperture such as f/22 will produce a deep depth of focus this is more preferred by landscape photographers where all aspects of the shot are pin sharp. |
Digital Compact
| Also known as the point and shoot camera, the digital compact is normally a fixed lens camera of small or compact design. |
dSLR
| A digital Single Lens Reflex camera |
Dynamic Range
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Dynamic range refers to the amount of brightness that leads to the total image detail a given digital sensor is able to accurately record. The size and quality of the digital sensor is of paramount importance when selecting a new digital camera, and could be seen as far more important the the mega-pixel capability of the camera. Many digital cameras suffer from small and of poor quality digital sensors which in turn can be the cause of clipping. All digital cameras have a dynamic range, discovering your cameras range will allow you to shoot with far more confidence. Metering is to establish the best overall exposure for a given shot, but we have to explore and acknowledge that there might just be a better exposure for the given shot. This is often why we will bracket (more about bracketing at another time) if we know our cameras dynamic range we can explorer other exposures and often will discover what we thought was the right exposure turned out to be wrong. Finding your cameras dynamic range:Off to the newsagent a pick up a piece of grey card, you can often purchase 18% grey card from a good photography shop. Now take a shot of the grey card and continue taking shots changing the exposure each time by 1/3 EV when you have finished you will have a range from completely overexposed to completely underexposed. If you have done this correctly you should have a range from totally black to completely white. I would say this should be in the vicinity of 7 to 8 stops and for an average lets say you have 8 stops this means that 4 is right in the middle of your cameras range. Knowing your mid point gives you the confidence to of 3 stops each way and knowing the outcome. |
Equivalent Focal Length
| The term is used to give a common baseline to lenses no matter the breed. It is expressed in terms of field of view that the length would give in a 35mm camera. For example a 28mm equivalent focal length lens will always be a wide angle lens, no matter what the actual focal length of the design is. |
Exposure
| The process of opening the cameras shutter to allow light to pass through to the digital sensor or film. A perfect exposure is the result of the correct ISO, aperture and shutter speed to produce an image that recreates the shot that was taken, and the light levels are perceived to be the same. |
F-numbers
| The universal measurement of the size of the aperture opening within a cameras lens. It is the ratio of the aperture to focal length, hence similar to focal length it is constant irrelevant of lens brand or type of lens. The equates to any lens with an aperture of f/2 will always give the same exposure for a particular shutter speed. |
F-stop
| Relating to the f-number the f-stop increases or decreases the amount of light that is let through to the digital sensor or film, a one stop equates to doubling the amount of light allowed through to the film or digital sensor, thus a one stop difference halves the necessary shutter speed for a correct exposure. Standard aperture stops are f/2.8 f/5.6 f/8 f/11 f/16 and f/22 although modern digital cameras offer much finer control over the aperture allowing changes of half or even a third of a stop. |
Flash Memory
| A type of storage that does not lose the data when the power is disconnected unlike computer RAM (random access memory) the flash memory card has become a common component of the digital camera for the recording and storing of images. |
Focal Length
| Technically this corresponded to the distance between the cameras lens and the digital sensor or film when focused to infinity. Although it is used to express the field of view of a camera, the shorter the focal length the wider the field of view and vice versa. Also see equivalent focal length. |
Gigabyte
| The expression of size relating to one billion bytes of computer memory. |
Hard Disk
| The storage device used by computers, ranging in sites from just a few gigabyte to huge terabyte disks. |
Image Stabilisation
| Designed to help reduce the effects of camera shake, image stabilisation physically moves parts of the lens in response to movement of the camera body. Modern IS lenses allow for 2 too 4 stops of stabilisation allowing for much longer shutter speeds that traditionally would of been impossible to use without a tripod or other means of stabilising the camera. |
ISO Sensitivity
| Also referred to as ASA is relates to the sensitivity of a given film or digital sensor to light. Higher ISO settings allow for less light to achieve a correct exposure, this causes a trade off with more noise within the shot. Modern digital cameras are advancing in leaps and bounds allowing for quite high ISO settings with relatively low noise images resulting. |
JPEG
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JPEG – the most common file type: You will have seen the .jpg extension on many images it is the most common of the file formats, it derives its name from the creators ‘Joint Photographic Expert Group’ JPEG is the default saving file type for nearly every digital camera, it allows small file size while keeping a high quality image. JPEG achieves small file sizes by using compression, similar to how a MP3 music file will take assumptions of what the human ear cannot hear and remove those bits - the JPEG file does the same except for bits it determines the human eye cannot see. This process is known as ‘lossy compression format’ whenever you discard digital information be they music bits or photographic bits you have a trade off in overall quality. Once you have removed information from the original RAW digital image it has gone forever, and as most cameras save in JPEG as default you have lost this information before you have even taken the image off of the camera. Another downside with the JPEG format is every time you resave the file you are loosing more quality, overall although in the lowest compression mode JPEG produce good results, it can be better to use another format if possible. Furthermore using the JPEG format takes away many of the advanced processing capabilities of the final image once we get to our processing software like Adobe Lightroom or Photoshop to name but two. |
Lossy Compression
| See JPEG |
Megabyte
| Where the Gigabyte relates to one billion bytes the megabyte is one million bytes of data, digital cameras will produce file sizes ranging from just two or so megabytes for JPEG images right up to over 30MB for some images recorded in RAW format. |
Microlens
| Working in conjunction with the digital sensor the microlens they are there to pick up lost light from between the photo sites where light would be lost. Microlenses are placed over each site and directs that light onto the the photo-sensitive area to maximise the amount of light captured. |
Monitor
| The generic term used to describe any kind of computer display screen, be it CRT or LCD. |
Overexposure
| This is often the result of the aperture setting being too large and the shutter speed too slow or the ISO setting too high or even a combination of all three. The result is a picture with blown out bits resulting in pure white. |
Photo Site
| Relating to the elements of a digital cameras image sensor that convert light falling onto them into electrical signals that allow the camera to reproduce the the image into a digital representation. |
Pixel
| Represented as a single dot the pixel constructs the image, when all the pixels or dots are put together you have your final image. Each pixel is described in terms of its red, green and blue primary colour values also referred to as colour channels. |
Posterisation
| Caused in post production by excessive manipulation to a point where there is a step between adjoining pixels. The effect looks pixellated and unphotographic, this can be avoided easier by shooting your images in RAW format, the ability to edit in 16bit channel mode allows for a greater freedom and less likelihood of posterisation occurring. |
Prime Lens
| A fixed focal lens it cannot be zoomed in or out, prime lenses are not as widely used as they once were and have been in many cases replaced by the zoom lens. Still the preferred lens of many portraiture photographers who will often use a 100mm lens. |
RAW
| RAW files as the name suggest is RAW digital data that is yet to be processed into an image, this is achieved with software that reconstructs the pixels into a viewable image and allows ultimate control on how this is going to be achieved. If your camera offers RAW format there really are no excuses left for not taking advantage of this superior file format. |
Resolution
| Technically described as how much detail that can be reproduced, in reality it is the term used to describe the number of pixels it produces for a given frame (this actually is not necessarily the same thing) Pixel resolutions are normally described in terms of the number of pixels in the horizontal and vertical direction. A 10-megapixel camera, for instance, will produce images with a resolution of around 3,800 X 2,500. |
Shutter Speed
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Equating to the length of time the digital sensor or film is exposed to light when capturing an image. The job of the shutter is quite simple: it is to allow or stop light penetrating through to the film or digital sensor. Unlike the sometimes-perceived complicated f-stop numbers of aperture, shutter speed is simply measured in fractions of a second. Predominantly photos are taken between ranges of 1/60th (one-sixtieth) and 1/250th (one two-hundred-and-fiftieth) of a second. |
Telephoto
| A lens or setting on a lens that corresponds to a narrow field of view, obtaining a high magnification that is useful for wildlife and sports photography. Again it corresponds to a long focal length, you can compare with wide angle lenses. |
TFT
| The technical definition is thin-film transistor, the type of transistors used in modern flat-panel computer screens. |
TIFF
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A popular intermediate file saving format, unlike JPEG it is a lossless format, and thus files can be saved to disk without loss of quality. The TIFF format ‘Tagged image file format’ produces the most faithful representation of the photographed image after processing the RAW file. TIFF is a lossless file format and although still offers some compression it does not discard any data. Another advantage of the format is the depth of 16 bits per colour channel, compared to 12 bits for RAW and 8 bits for JPEG. This equates to all the data produced from a RAW file will fit in a TIFF file and truly represent the captured scene. TIFF is by far the best choice for saving your RAW files into for either final processing or printing into stunning large format photos. If you are doing your final processing in TIFF format you can make large changes to the image without running into the dreaded posterisation and stepping ruining the image. The only draw back from using the TIFF format is the simply huge file sizes if you take a typical 8-megapixel image you can expect the TIFF file to eat around 40MB of disk space. A best practise for the most stunning and faithful shots is to shoot in RAW save to TIFF for final processing and then to JPEG if needed. |
Underexposed
| When an aperture setting is selected that is too small, the shutter speed too fast or the ISO setting too low or a combination of all three results in an underexposed image, also see over-exposure. |
White Balance
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Measured in temperature the white balance allows to select the correct setting for shooting in a variety of lighting scenarios, from daylight to indoor light and everything in between. Learn your cameras white balance, it allows you simple and amazing creativity over any given shot. Most dSLR cameras allow for manual selection of the white balance. Play, take photos with different white balance settings and see how the different light temperatures affect the final image. Below is a handy chart that illustrates some common light sources.
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Wide Angle
| Pertaining to a wide field of view and can be useful for a plethora of photography applications especially landscape and street photography. It corresponds to a short focal length, compare it to the telephoto lens. |
Zoom
| A lens that allows for a variable focal length, allowing the field of view to change, it effectively increases or decreases the magnification of the lens. Also compare with the prime lens. |









