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10 simple solutions to great landscape photography

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When looking at the photography of a pro it becomes clear why they do indeed call themselves pros. The photos are always a few steps beyond what an amateur could do. Every detail is perfect. The exposure is flawless. The colors are vibrant but not obnoxious. The composition is simple and effective. A pro photo is usually very close to perfect.
Creating those perfect images requires a great deal of skill behind the camera. As a rule I find that, in Photoshop, a skilled artist can bring the overall quality of a photo up about 20%. Thus, if your photo is of mid quality and is about 50% it will be about 70% after post production. This is why pro photographers are able to make their images look so great.

They shoot 90% before even bringing it into Photoshop, and thus once they add post processing, the photo turns out to be better than 100%The following 10 suggestions are a beginning to being able to shoot those fantastic photos, but remember, there is no substitute for experience. You can memorize every work flow and technique known to man but without a true understanding your photos will always suffer.

1. Shoot with a Tripod

This is the single most important rule of landscape photography. You want your image to be "tack" sharp. No matter how still you think you can hold that camera there is no way you can hold it as still as a tripod.

Choosing the right tripod is crucial. Like anything in Photography, a good tripod tends to have a price associated with it. As a rule I would NEVER purchase a tripod for less than $100 USD. And usually I aim for one several times that number. Your tripod needs to be sturdy, even in heavy wind. It also needs to be light enough that you can carry it around. Here is a list of other key features to look for in a tripod.
  • When fully extended you should be able to comfortably stand while using it.
  • The tripod itself should have a level built into the base so that you can level the tripod independent of the camera.
  • It should have a dynamic head. Most prefer ball heads as they tend to allow for the most freedom.
  • You should be able to spread the legs out to multiple angles to lower the center of gravity in extreme wind.
  • It should be easy to remove and attach the camera without having the "screw" it in.
2. Shoot with a remote shutter control.

When you press the shutter button on your camera you move the entire camera slightly. It is important to avoid this. Remote shutter controls are perfect for this. Whether they are wired or wireless they make it so you can stand away from your tripod to take the shot.

Note: If you do not have a remote control for one reason or another simply use your camera's timer to give you a moment to step away.

3. Shoot at sunrise and sunset.

Direct sunlight is harsh, extreme shadows and highlights become difficult to properly expose. The best time to shoot is within 30min of sunset or sunrise. The sky is almost always more interesting. Colors become more vivid and lighting is subtle and mystical. Most pro landscape photographers don't even bother shooting unless the sun is low in the sky.

4. Scout

The best way to get a boring picture is to walk up to your location 10 minutes before the shoot, set up your camera and start shooting. You want your photos to be unique, explore your location beforehand. Find the best place to frame your shot and know where it is so you can be set up and ready to go when it comes time to shoot.

5. Shoot Panoramic Photos

A panoramic photo stitch, when properly done can give your photo a feeling of epic awe. It draws the viewer deeper into the scene and tells the whole story. While I wouldn't shoot every photo as panoramic, it is almost always worthwhile to give it a try.

Additionally, photos that have been stitched have a much larger pixel count. More information is always a good thing. It allows for smoother editing and larger prints.

6. Shoot from difficult angles

If you shoot from an easy to reach ledge or a lookout point feel confident that everyone else has as well. You want your photos to be unique. Often this means getting a little dirty. Strap your gear to your back and climb to a unique angle. Even the most cliche photo can be turned interesting when a new and unique angle is found.

Warning: Be careful, cameras generally don't take great photos when bouncing down cliff faces (and neither do humans)

7. Be Patient.

Landscape photography requires the most patience of any photographic discipline. You are at the complete mercy of nature. Not every sunrise is spectacular. Weather is both your enemy and your friend. Be patient, sometimes you have to return to a location several times before you are able to take the perfect shot.

When the weather isn't behaving, use the time to scout and practice for when it does. Practice getting the perfect composition. Find the perfect angle.

8. Use filters

Filters are key to getting the right exposure and proper saturation when shooting. They allow you to carefully control your shot and make it as great as possible. Below I have listed three filters no landscape photographer should be without.
  • UV: Actually this is one no photographer should be without. This filter never leaves my lens. It is perfect for protecting your expensive glass and also does a great job of helping colors pop.
  • Polarizer: Polarizers are great for cutting through glare and bringing out more detail in water.
  • Graduated Neutral Density: Neutral Density filters simply darken your lens to allow for slower shutter speeds without burn. A graduated neutral density filter is darker at the top and clear at the bottom. This allows you to darken a bright sky while leaving the ground untouched. Thus you will be able to shoot the ground and sky without over or under exposing part of your photo.
9. Learn from the best.

Spend hours looking over the work of other great photographers. Analyse the work of all the greats, from Ansel Adams to Scott Kelby to Matt Lauder and more. Learn what makes their photos special and apply what you have learned to your own work. However, do not copy them, learn from them.

10. Find a friend

Landscape photography often involves a lot of waiting. Having someone to talk to while waiting for the sun to come up can help the time pass faster. In addition, having someone to learn with will make both of you better photographers. You will often both be shooting similar subjects with different outcomes. Learn from each other.

Conclusion

I hope you find these solutions useful and I would love to hear of more that I may have missed.

Photo credits
Intro photo by Tambako
Last modified on Sunday, 08 November 2009 21:27

7 comments

  • Comment Link Ursula Sunday, 08 November 2009 12:44 posted by Ursula

    Ugh, I hate lugging my tripod around, but you have a very valid point!

    Great advice - I'm retweeting this one! :)

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  • Comment Link Michael Christian Saturday, 07 November 2009 21:49 posted by Michael Christian

    There are also alot of good camera bags that have a tripod holder built in - it means setting up and breaking it back down when you want to use it, but makes it ALOT easier to actually take it with you (which is the whole point!).
    A Gorilla Pod from Joby is a cool for a small tripod - you can also use your flash with it and hang it off stuff. I was foolish and got a 'no name' copy and wouldn't really trust it with my dSLR unfortunatley. http://joby.com/

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  • Comment Link Patrick Ryall Friday, 06 November 2009 13:13 posted by Patrick Ryall

    @Talenq - I know what you mean sometimes with walking around with a tripod, have a look at the range from http://www.giottos.com/ they have some really good small models and travel models but still really stable and of the finest quality.

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  • Comment Link Talenq Friday, 06 November 2009 12:47 posted by Talenq

    I really need to take my tripod out more. I just feel like such a goober sometimes when I do...at best I'm an amateur photographer but I love to take pictures in Thailand. I have a feeling if I used a tripod more and had a bit more patience a lot more shots would turn out better.

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  • Comment Link Ryan Cooper Thursday, 05 November 2009 01:12 posted by Ryan Cooper

    I am a big proponent of Nikon so I would go with the D90 if you are looking for entry level, D700 if you are looking for mid range, and definitely that new D3S when it comes out if you are looking for top end.

    I would steer clear of super high resolution cameras like the D3X as 24MP is overkill and you will end up with a ton more noise, especially in low light conditions.

    As for other brands, I don't know them as well but your the most important feature I would look at it the quality of the light sensor. Make sure the camera body you choose can shoot fairly in very slow shutter speeds without becoming a noisy mess.

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  • Comment Link Patrick Ryall Wednesday, 04 November 2009 09:48 posted by Patrick Ryall

    Thank you for a great article Ryan some really good advice there.

    Do you have any camera suggestions for people looking to get into landscape photography?

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  • Comment Link Michael Christian Wednesday, 04 November 2009 08:10 posted by Michael Christian

    nice one Ryan...

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written by Chris, November 24, 2009
Selecting the correct aperture makes quite a difference too - it depends on the lens but something between F10 & F13 usually ensures a crisp, deep depth of field.

I dumped my UV filter as it has no discernible positive effect on my shots at all, and as I read elsewhere: why add another layer (of usually cheap) glass between the subject and your camera? Mind you, I slip the strap over my neck before my camera comes out of the bag.....
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written by neal, December 05, 2009
Great advice.Cheers.Iv just orderd my uv filter nd and polerizer.Looking forward to getting out there and experimenting!!

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